Pentagram

New at Pentagram

Skip to content

The Pocket Canons Giveaway

PC_1

A few weeks ago, Angus Hyland was searching through his archives when he came across a complete series of The Pocket Canons. In the spirit of giving, we’ve decided to donate the series to one of you through a Twitter competition.

To enter, Tweet @Pentagram with the answer to the following question: Who wrote the introduction to The Epistles of James, Peter, John and Jude in the Pocket Canons series? 

New Work: Ten Trinity Square

jr-trinity.002

John Rushworth has developed a brand strategy and visual identity for Ten Trinity Square, a redevelopment of the former Port of London Authority building in the City of London consisting of a private members club, 41 luxury residencies and a Four Seasons hotel. It is the first investment of Chinese conglomerate Reignwood, outside of Asia in super prime real estate.

The brief was to reinvigorate the purpose of the building and create a long-term vision that would also support Reignwood’s future investments in the sector. To do this, the project had to be positioned in a way that recognised its location, architecture and historical importance.

New Work: ‘Alan Kitching’s A-Z of Letterpress’

A-Z-0001_RT_620

Graphic designer, typographer, letterpress printmaker and teacher, Alan Kitching is internationally renowned for his expressive use of letterpress type processes. His latest book, Alan Kitching’s A-Z of Letterpress, showcases the extensive wood-letter fount collection of The Typography Workshop.

The book is a collaboration between Kitching and Angus Hyland. In 2014, Hyland approached Kitching with the proposal of hand-setting letterpress alphabets to celebrate the Typographic Workshop’s 25th Anniversary. Together they devised a page layout and Kitching set the entire book, which is printed on letterpress and then reproduced at the same size.

New Work: Success Academy

Success_Images_21

Success Academy is the largest and highest performing network of charter schools in New York City. Founded and led by former city councilwoman Eva S. Moskowitz, Success Academy’s growing group of publicly funded, privately operated schools includes 24 elementary schools, seven middle schools and one high school that provide education for nearly 9,500 students across the city. Primarily serving underprivileged children, SA consistently has the highest test scores of any schools in New York, regularly outperforming institutions in wealthier communities. Tonight Success Academy will celebrate its own continuing “success” at its Third Annual Spring Benefit.

Pentagram’s Michael Bierut and his team have designed a graphic identity for Success Academy that conveys the schools’ innovative educational mission. The system extends to environmental graphics that help motivate students and build school spirit at Success Academy locations, which share space with New York City public schools.

New Work: I Give An X

Only 65% of people voted in the last UK election, with a majority of non-voters being young people. In the run up to the General Election on 7 May 2015, Naresh Ramchandani, Marina Willer and their teams decided to combat this disengagement.

The result is I Give An X, a non-partisan, online campaign that asks people to visit the I Give An X website, pick an X to download and share as their profile picture on Facebook, Twitter or Instagram with #igiveanx. By living in social media, I Give An X has a relevance to younger voters and, by allowing them to wear a virtual badge of pride, the campaign can influence their social circles as well.

New Work: Lloyd’s of London

Lloyds_Case_study

Lloyd’s of London is the world’s specialist insurance market, conducting business in over 200 countries worldwide. Established in 1871, Lloyd’s is synonymous with London’s skyline and is based in the landmark Inside-Out building by Richard Rogers. Every year, Lloyd’s generates an annual report to send to key stakeholders. The latest edition, which is both print and digital, has been designed by Harry Pearce and team and covers the financial year of 2014.

Pearce’s brief was to create a report that used the Lloyd’s pre-existing brand guidelines, whilst being a significant departure from annual reports of previous years. The report needed to be more than a financial brochure, it had to have an editorial and utilitarian feel.

A Pentagram Production: The Poems of Henry Ponder

Naresh Ramchandani explains how we came to make a short film about one of Britain’s most thoughtful, but lesser known, poets. 

I don’t know about you, but my life affords me barely any time to think. The amount of attention I give to my family, my work and to my other duties and pleasures – all manifest through unending calls, meetings, texts, emails and to do lists which never seem to shorten – leaves me precious little time for contemplation. It wasn’t always so.

When I was younger, I used to consider the world around me, and notice things, and think things, such as no matter when you reach a place, your nose will have got there first, or the fact that a stopped clock will tell the right time twice a day. These were not idle thoughts but simple reflections on a world which I had time to attend to, be mindful of and curious about.

That’s why it was such a pleasure last year to discover a minor poet by the name of Henry Ponder, a man tweeting very short daily poems in which he contemplated his everyday world. Henry wrote about the restorative nature of sweeping a floor, and the brusqueness of the language of warning signs, and the inner-softness and vulnerability of a pain au raisin, and more. As I followed his poems, they became mini-mediations not just in his day but mine, reminding me think beyond my immediate preoccupations; reminding me to stop and smell life’s proverbial flowers.

I decided that this unknown poet deserved to be better known. I contacted him on Twitter and arranged to meet him. In person, he was a small, shy man shy with unkempt hair and thick-rimmed glasses. When I suggested the idea of making a very short film about him, he thought for a while, and then said “That would be kind.”

New Work: The Museum of Fine Arts, Houston Magazine

MFAH-1

Partner DJ Stout and designer Carla Delgado in Pentagram’s Austin office have redesigned the flagship publication of the Museum of Fine Arts, Houston (MFAH). The second issue of the new magazine will be mailed this month. In addition to completely revamping the publication, the Pentagram team, working closely with the MFAH’s Director, Gary Tinterow, and the museum’s Publisher in Chief, Diane Lovejoy, changed the title’s name from MFAH Today to The Museum of Fine Arts, Houston Magazine, or “h Magazine” for short.

New Work: ‘The Sick Bag Song’

TSBS_Picture1

Angus Hyland has designed Nick Cave’s latest book, The Sick Bag Song. Written during Cave’s 22-city tour of North America in 2014, the book reproduces in full colour 22 sick bags filled Cave’s scribbles about his encounters. Sitting somewhere between the styles of The Wasteland and Fear and Loathing in Las Vegas, the book provides an intimate insight into Cave’s imaginative universe.

An Evening of Everyday Things

EDT_13

Pentagram recently hosted a private view of ‘Everyday Things’, a collection of 19 objects by artists and designers curated by Do The Green Thing and WWF-UK to promote Earth Hour 2015. During the evening, 200 people filed into Pentagram’s front room to enjoy the exhibition and hear Naresh Ramchandani – the co-founder of Do The Green Thing and Pentagram partner – speak about why it was put together.

This is the third time that Do The Green Thing has teamed up with WWF-UK to create a campaign for Earth Hour. In previous years, the campaigns have been poster-based, featuring submissions from the great and the great, including Sir Paul Smith, Sir Quentin Blake, Marion Deuchars, Neville Brody, Rankin and Pentagram partners Paula Scher, Marina Willer, Domenic Lippa, Harry Pearce, Natasha Jen, Abbott Miller and Angus Hyland.

This year, Do The Green Thing and WWF-UK wanted to do something a little different. As Naresh Ramchandani explains, “We wanted to create pieces that could be in the real world rather than on a screen; that could be physically worn, touched, held, sat on, used; that could give a better sense of what a sustainable life and would actually look and feel like.”