Pentagram associate Julie Savasky and partner-in-charge DJ Stout in our Austin office have designed and produced Jack Allen’s Kitchen: Celebrating the Tastes of Texas, the first cookbook from the popular Austin-area eatery. Distributed by the University of Texas Press, the book will make its debut at the Texas Book Festival next weekend, October 24 through 27. Jack Gilmore, the restaurant’s colorful owner, is a bit of a celebrity chef, but he doesn’t look like one. With his tumbleweed mane, gray-streaked beard, and Cheshire Cat smile, he looks more like an unkempt Yosemite Sam than a culinary master.
“He looks like ‘Austin’ actually,” says Stout. “His hard work ethic, creativity in the kitchen, and devotion to sustainability and locally sourced food—he was doing ‘Farm to Table’ before it was cool—has made him one of the most admired chefs in these parts.”
Guido Palau, also known as simply Guido, is an unparalleled force in fashion, a hair stylist who has worked alongside many of the most influential designers and photographers to shape contemporary beauty. A progenitor of fashion’s “grunge” movement in the 1990s, Guido continues to use hair to explore notions of identity. Hair is a new book by Guido and the renowned fashion photographer David Sims that highlights hair as a transformative medium in a series of portraits of unique and astonishing styles.
Pentagram’s Abbott Miller has designed Hair to showcase Guido’s avant-garde creations as works of art. Created over a two-year period, the 70 portraits in the book represent a personal project that allowed Guido the freedom to use hair to re-contextualize personalities, genders and codes of identity.
Though the future of traditional book sales often seems uncertain, beautiful and compelling design always reasserts the book as an essential, lasting object. Since 1922, AIGA has honored the best in book design for its annual 50 Books/50 Covers competition, which has the distinction of being the “oldest continuously operating graphic design competition in the United States.” We are proud to have several Pentagram projects listed as winners in the 2013 awards, presented by AIGA, Design Observer, and Designers & Books.
Pentagram’s Abbott Miller will be the featured guest on this week’s edition of “Ad Men”, a radio program of Lakeshore Public Media that explores the latest ideas and trends in advertising and marketing. Miller will discuss his new monograph, Design and Content, and the role of the designer as an intermediary between ideas and images and words.
“Ad Men” airs on the NPR affiliate 89.1 FM in the Chicago market and online here. (Click on the “Listen Now” link in the top right corner.) Tune in on Tuesday, September 23 at 12 pm CDT. Abbott’s segment begins around 12:40.
Update: Listen to the archived episode here: “Ad Men,” September 23, 2014.
OfficeUS, the U.S. Pavilion at the 14th International Venice Architecture Biennale, is a working architecture office that is exploring the ways in which U.S. architectural practice has influenced the discipline around the world over the past 100 years. The project is sharing its research through an extensive program of publications, both integrated into the exhibition—where a repository of 1,000 binders lines the walls of the installation—and as a series of books made available to the public. Pentagram’s Natasha Jen has designed Agenda, the first in the book series and the official catalogue for the U.S. Pavilion. The book design builds on the graphic identity Jen developed for the OfficeUS, which utilizes a visual language built out of the efficiencies of office culture.
Every year, the London Design Festival (LDF) invites some of the world’s leading designers and architects to experiment with new materials and processes in landmark projects. These projects are focal points for the festival and are often in iconic spaces in London.
One of the landmark projects for LDF 2014 is ‘Precision & Poetry in Motion’ by Barber & Osgerby and BMW, an installation of two giant, curved mirrors in the V&A museum’s Raphael Gallery. The mirrors rotate at the top of the gallery, reflecting and distorting Raphael’s Cartoons and visitors alike.
Domenic Lippa and his team have designed a book to accompany the exhibition. The book uses mirrored typography throughout, from its packaging to its content. Its cover is made of mirrored board paper, further echoing its subject.