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Join Abbott Miller for Type Nite at MICA

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Pentagram’s Abbott Miller will speak about his new book Design and Content at Type Nite, Monday, September 22, Maryland Institute College of Art (MICA) in Baltimore. Miller be joined by fellow MFA in Graphic Design faculty member Ellen Lupton, type designer Tal Leming, and other special guests. The evening will showcase new typefaces under development, explore type at work on page, on screen, and in the built environment, and celebrate the release of Design and Content and Lupton’s new book, Type on Screen, both published by Princeton Architectural Press.

The live event takes place in Baltimore, but designers, students, and font-lovers around the world can join the discussion via Twitter. Use the hashtag #TypeNite to participate in the Q&A and see your book get signed. If you’re not in Baltimore, pre-order your book at the MICA Bookstore website and receive 20% off. You will have the opportunity to fill out how you would like your books inscribed and the store will mail them to you. Include your Twitter handle and MICA will tweet a photo of the author signing your book.

Type Nite is free and open to the public, Monday, September 22, from 6:30 pm to 8:30 pm at MICA’s Brown Center, 1301 W. Mt. Royal Avenue in Baltimore.

New Work: ‘Killer Heels’

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Teetering at ever-higher heights and in endlessly inventive styles, shapes and materials, high heels are the most desired fashion objects in the world. Killer Heels: The Art of the High-Heeled Shoe is a major exhibition at the Brooklyn Museum that explores the cultural history of the high heel and its associations with power, sex and fantasy. Pentagram’s Abbott Miller has created a catalogue for the exhibition that showcases the shoes as extraordinary works of art and design.

New Work: ‘Abbott Miller: Design and Content’

Pentagram’s Abbott Miller surveys his work for the first time in Design and Content, a new monograph out today from Princeton Architectural Press. For the book, Miller assumes both roles of designer and author, presenting his work as a catalog of design strategies that emerge from the unique circumstances of form and content.

Miller takes readers through projects ranging from books, magazines, and identities to exhibitions, environmental graphics, apps and wallpaper. The book includes a diverse range of projects for clients such as Harley-Davidson, the Guggenheim, Vitra, Knoll, Formica, and Rolling Stone, as well as Miller’s pioneering work as an art director and editor, most notably for the visual and performing arts foundation 2wice. The book highlights his collaborations with artists such as Matthew Barney, Yoko Ono, William Kentridge, Twyla Tharp and Merce Cunningham, and architects Thom Mayne (Morphosis), Tod Williams and Billie Tsien, and Diller Scofidio + Renfro.

The book features a foreword by Rick Poynor and an essay by Ellen Lupton. The book also includes a new essay by Miller, as well as three pieces originally written for Eye. A roundtable conversation on contemporary design practice with fellow Pentagram partners Michael Bierut, Eddie Opara and Paula Scher concludes the book.

Abbott Miller Named to Surface Magazine’s Power 100

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Pentagram’s Abbott Miller has been named to the Surface Power 100, the magazine’s first annual list of influential figures in art, architecture, design, fashion, real estate, and more. Miller is honored alongside luminaries including Rem Koolhaas, Tadao Ando, Zaha Hadid, Liz Diller, Hella Jongerius, Jonathan Ive, Philippe Starck, Miuccia Prada, Marc Jacobs, Giorgio Armani, Jeff Koons, and Ai Weiwei, among others.

In the accompanying article (print only), Miller previews his first monograph, Design and Content, to be released next month. “The book looks at how designers are constantly staging content for a reader, a user, or a consumer; the whole endeavor of design is so much about making content more effective or more beautiful or more deeply felt,” says Miller.

Check out the full Power 100 in Surface’s June/July issue, available here.

New Work: ‘Paradise Planned’

Trends show that an increasing number of young Americans are eschewing suburban sprawl for life in the big city. Young people have typically moved to cities in their early to mid-twenties, returning to the suburbs years later with new families and new jobs. However, this metropolitan exodus is leaving suburbia in crisis, as many of the suburban ideals that were once appealing—automobiles, sprawl, and isolation—are proving to be less sustainable in a modern world.

Amid these changes, a new trend of retrofitting suburbs is now gaining popularity in metropolitan planning. The garden suburb, a phenomenon that developed in the late eighteenth century in England and the U.S., is regaining prominence as an ideal setting for life outside of, yet accessible to the city.

In their new book, Paradise Planned: The Garden Suburb and the Modern City (The Monacelii Press), architect Robert A.M. Stern and co-writers David Fishman and Jacob Tilove make a case for the garden suburb as a model for future suburbs. Pentagram’s Michael Bierut, Aron Fay, and Yve Ludwig have designed Paradise Planned as a definitive history of the unique, outlying residential area and its relationship to the development of cities. The book was recently awarded the John Brinkerhoff Jackson Book Prize by the Foundation for Landscape Studies.

A Smaller Symbol

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A miniature edition of Symbol is due to be published in August. Authored by Pentagram partner Angus Hyland, with Steven Bateman, it condenses the appeal of the original 2011 book into a new, smaller format.

“The idea behind the book is to explore the visual language of symbols according to their most basic element: form,” Hyland writes. “We have brought together symbols conceived all over the world, in different times and for different purposes, and categorized them by visual types.”

The book lays these symbols out in a manner divested of all agendas, meanings, and messages that might be given by their customary contexts, isolating them so that the reader can enjoy them as a pictorial language in their own right.

Preview: ‘OfficeUS’ at the 2014 Venice Architecture Biennale

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Pentagram’s Natasha Jen has designed the identity, environmental graphics and publications for the U.S. Pavilion at the 14th International Architecture Exhibition—la Biennale di Venezia, opening in Venice on June 7. Titled OfficeUS, the U.S. Pavilion is a working architecture office that explores 1,000 projects designed by 200 U.S. offices working abroad. Jen is part of a collaborative team—organized by Storefront for Art and Architecture, in collaboration with PRAXIS Journal, and with research lead by the MIT Department of Architecture—that were selected by the U.S. Department of State to represent the U.S. at the Biennale. This edition of the Biennale is directed by the architect Rem Koolhaas and centers on the theme “Fundamentals.”