Circular is the members magazine of The Typographic Circle, the non-profit, all-volunteer organisation for anyone with an interest in type and typography. Designed by Pentagram’s Domenic Lippa and Jeremy Kunze, the latest issue of the publication, Circular 18, puts type front and center with a layout that is almost entirely typographic. Circular 18 is the tenth consecutive issue designed by Lippa and his team.
The Typographic Circle prides itself on providing a platform for a number of voices, and is known for its series of diverse monthly lectures by leading industry figures, as well as the London presentation of the annual New York Type Directors Club exhibition. Speakers at Circle events have included Trevor Beattie, Stefan Sagmeister, Ken Garland, Jonathan Barnborook, Anthony Burrill, Rick Poynor and Sir John Hegarty, among others. Lippa has had a long-standing relationship with the organisation, having served on the committee for many years and also as its Chair.
These many different voices come into play in the new Circular. Each edition of Circular is individually designed, giving Lippa and his designers an opportunity to explore different typographic solutions. The previous issue, Circular 17 (from 2011), was completely visual. For the new issue, Lippa wanted to create a design that was predominantly typographic. Titled “Words & Images,” the new issue features a series of interviews with previous guest speakers conducted by Lippa himself, as well as other members of the Circle executive committee, including current chairperson Alan Dye of NB Studio, Louise Sloper and Val Kildea.
Continue reading “New Work: ‘Circular 18’”
This year’s edition of The Atlantic’s annual Ideas issue focuses on creativity and “how genius happens.” To celebrate the theme, the magazine invited three leading artists and designers to create images for a collection of cover for the issue, each highlighting a different aspect of creativity.
For his cover, Pentagram’s Eddie Opara rendered the brain as a colorful network of lines and connections. The illustration accompanies “Secrets of the Creative Brain,” an article by the neuroscientist Nancy C. Andreasen about the brain processes that foster creativity. In his note about the cover series, Atlantic Creative Director Darhil Hooks says Opara presents “the brain—an unfathomably complex organ—as an object both simple and beautiful.” Other covers for the issue were created by Shepard Fairey and Geoff McFetridge.
Continue reading “New Work: ‘The Atlantic’ Ideas Issue”
Quick Link: Circular 18 Featured on It’s Nice That
Quick Link: Circular 18 Featured on Creative Review
The third edition of EXEL, the annual research magazine published by Drexel University in Philadelphia, begins hitting mailboxes this month. The new 2014 issue was designed and produced by designer Carla Delgado in Pentagram’s Austin office, with DJ Stout serving as art director and partner-in-charge. The Pentagram team, working with programmer Hunter Cross, also developed EXEL magazine’s online counterpart, exelmagazine.org.
The latest issue of the award-winning publication features an eye-catching shot of PVC pipe on its cover. Yes, PVC pipe—plastic pipe. The magazine’s distinctive cover format unfolds to reveal the name Drexel, a large graphic letter “X,” and a striking image of the blue pipe. Like the previous issues, the third edition of EXEL features a wide array of visually dynamic scientific photography, illustration and infographics, which are used in inventive layouts to express Drexel’s rich research narratives.
“Our emphasis is on featuring the research—the actual subject matter of the research—not just the researchers,” says Stout. “We believe science and research is inherently interesting.”
Continue reading “Update: Drexel University’s EXEL Magazine 2014″
Golf is played by nearly 30 million Americans, but the sport still has the image of an old-man’s game. Golf Digest, the most widely read golf publication in the world, recently introduced a new format designed to connect with millennial golfers (ages 25-34)—the magazine’s fastest growing segment of readership—as well as the traditional core golfer (age 50-plus). Designed by Pentagram’s Luke Hayman and team, the update refreshes the Condé Nast publication with a contemporary format that captures the excitement, energy and style of the sport.
Hayman and his team worked closely with Golf Digest creative director Ken DeLago and editor-in-chief Jerry Tarde on the redesign. The new look complements an editorial shift that includes more lifestyle content, intended to appeal to a wider audience (and the advertisers looking to reach them). The format opens up the magazine for a looser, more playful feel that conveys the game’s athleticism and virtuosity, as well as the growing “cool” of golf culture, embodied by player-fans like Justin Timberlake and Jimmy Fallon. For the designers, part of the challenge was finding new methods to visually represent the subject—to break up the monotony of pictures of golf course greens against the bright blue sky, or to show golf tips like swing paths in an unexpected way.
Continue reading “New Work: ‘Golf Digest’”
Quick Link: The Story Behind Luke Hayman’s New Identity for Matter
Pentagram is pleased to announce that several of our projects in higher education have been honored by the Council for Advancement and Support of Education (CASE) in its 2014 Circle of Excellence Awards. CASE is a professional association serving educational institutions and their departments in alumni relations, communications, development and marketing.
“The annual CASE awards are a big deal in the college and university world,” says DJ Stout, partner in Pentagram’s Austin office. “They are kind of like the Academy Awards of higher education. I’m excited that several of our publication designs won Gold Awards, but it’s also very gratifying that our talented designers received recognition for their outstanding editorial design work.”
Continue reading “Awards: CASE 2014 Circle of Excellence Awards”
Established in 1744, Sotheby’s is one of the world’s oldest and largest auction houses, and the oldest company listed on the New York Stock Exchange (ticker symbol: BID). From its roots as a book dealership, the auction house has grown over the past three centuries into a global company that ranks alongside the great art museums in the breadth of its influence and expertise. Pentagram’s Abbott Miller has been collaborating with Sotheby’s over a two-year period to bring stronger coherence to the full spectrum of the company’s identity and communications, including its website, catalogues, and magazine. Miller and his team worked closely with Sotheby’s leadership, collections specialists, and design and technology teams in New York and London to develop the comprehensive program.
Continue reading “New Work: Sotheby’s”
Watch a video retrospective of 2wice, from its first incarnation as Dance Ink to its recent series of groundbreaking apps.
For two decades, Pentagram’s Abbott Miller has collaborated with the arts patron and publisher Patsy Tarr on pioneering new platforms for dance performance, first in the pages of Dance Ink magazine, then in the unique editions of 2wice. Most recently they have collaborated on a series of apps for 2wice that turn the digital screen of an iPad into a new kind of performance space. Their latest app, DOT DOT DOT, invites viewers to interact with the spatial and temporal representation of dance in a piece specifically designed, choreographed and scored for the digital tablet. On January 27 Miller and Tarr will discuss the app and their ongoing collaboration at “2wice: Dancing from Page to Stage to Screen,” a presentation in the performing arts series Works & Process at the Guggenheim.
Miller and Tarr will be joined at the talk by their DOT DOT DOT collaborators, the choreographer Tom Gold and videographer Ben Nicholas. The event is part of the 30th anniversary season of Works & Process at the Guggenheim and will be presented in the Frank Lloyd Wright-designed Peter B. Lewis Theater. Miller knows the museum well, having designed the look and feel of the Guggenheim identity, as well as the definitive history of its architecture. 2wice was recently honored by the alternative New York performance space La MaMa.
“2wice: Dancing from Page to Stage to Screen” will be presented Monday, January 27 at 7:30 pm at the Guggenheim Museum, 1071 Fifth Avenue in New York. Tickets are available here.