John Rushworth has developed a brand strategy and visual identity for 10 Trinity Square, a development consisting of a members club, private residencies and a Four Seasons hotel in the landmark Port of London Authority building. It is the first investment of Chinese conglomerate the Reignwood Group outside of Asia and into super prime real estate.
The brief was to reinvigorate the building and create a long-term success that would support Reignwood’s future investments in luxury real estate and hospitality. To do this, the building had to be positioned in a way that recognised its status, architectural merit and new purpose.
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In his classic novel Around the World in 80 Days, French author Jules Verne envisioned the future of travel and globalization bolstered by the technological advances of the late nineteenth century. The current exhibition at the Museum für Kommunikation in Berlin, In 80 Dingen um die Welt: Der Jules-Verne-Code (Around the World in 80 Things: The Jules Verne Code), explores the history of globalization via the route in Verne’s novel, taking visitors on a voyage of discovery around the globe and across time as told through 80 objects directly related to the story.
Pentagram’s Justus Oehler and his team in Berlin have designed the visual identity for the exhibition, which has been applied to posters, leaflets, and outdoor promotional banners. Pentagram also designed the 260-page exhibition catalogue and a series of three billboard posters displayed in subway stations around Berlin.
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Last night Ohio State triumphed over Oregon 42-20 to win the inaugural College Football Playoff National Championship game at AT&T Stadium in Arlington, TX. Watched by a capacity crowd of 85,689 in the stands and a cable television record of 33.4 million viewers—ESPN’s largest audience and highest overnight rating ever—the game represents a stunning success for the new era in college football.
Pentagram’s Michael Gericke and his team created an iconic trophy and visual identity to build the foundation for the new four-team playoff and raise its profile in the national conversation. The designs were fundamental elements in shaping every aspect of a mega sports event that combines the excitement of a tournament with a championship game on par with the Super Bowl.
Sleek and contemporary, the 24-karat gold, bronze and stainless steel trophy expands on the identity originally created by Michael Gericke and Matt McInerney for College Football Playoff. The symbol’s two rising brackets represent the coming together of the best teams in the playoff system and form the shape of a virtual football—the four laces of the ball portray the four playoff teams.
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Quick Link: Domenic Lippa’s Creative Industries Federation’s Identity Featured in Creative Review
Quick Link: Michael Gericke’s Cooper Hewitt Signage Featured on It’s Nice That
Apex for Youth is a non-profit organization that has provides mentoring and educational programs for disadvantaged Asian and immigrant youth in New York City. Apex’s network of volunteers is made up of working professionals who provide support in academics, social skills, and community engagement for elementary through high school students. Many of the mentees are are first-generation college students, and are encouraged to become volunteers after graduating high school, helping to extend the outreach cycle of the Apex program. Apex for Youth also holds its annual Inspiration Awards Gala, celebrating exceptional students and outstanding members of New York City’s Asian community.
Pentagram’s Natasha Jen and her team have designed a new identity for Apex that reflects the organization’s influential mission. The logo design is inspired by the tangram, a traditional Chinese dissection puzzle in which seven flat, geometric shapes are arranged to form familiar objects. The new Apex logo makes use of these shapes by forming an apple, symbolic of the organization’s educational mission and alluding to New York City’s most well-known moniker.
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Quick Link: Natasha Jen’s OfficeUS Identity Is One of Wired’s Most Inspiring Designs of 2014
Quick Link: Michael Bierut’s MIT Media Lab Identity Is One of Wired’s Most Inspiring Designs of 2014
Located in New York’s historic North TriBeCa neighborhood, 443 Greenwich Street is a landmark 1882 factory building that is being transformed into luxury residences. Pentagram’s Natasha Jen and her team have designed the brand identity and marketing campaign for the development, which features a distinctive monogram inspired by the building’s unique floor plan and industrial past.
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Cooper Hewitt, Smithsonian Design Museum reopens today following a three-year renovation that restores the historic Andrew Carnegie Mansion and increases the museum’s exhibition space by 60 percent. Pentagram’s Michael Gericke and Eddie Opara and their teams have collaborated on the graphics for the revitalized institution, including a bold new graphic identity, website, signage, wayfinding and exhibition graphics.
Michael Gericke and his team developed a vibrant and contemporary signage and environmental graphics program for the mansion’s exterior and interior. The program includes the exterior identity, exhibition directories, wayfinding and donor recognition graphics. The Andrew Carnegie Mansion is a historic landmark and cannot be physically altered, so the team found ways to creatively integrate the signage into the building in an impactful but non-intrusive way.
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