The first Moss Bros. stores applying William Russell’s interior designs have opened. The redesigned stores are the physical application of Moss Bros.’ new identity, developed by Pentagram’s Harry Pearce and Naresh Ramchandani.
William Russell and team have designed Nigel Cabourn’s new flagship store in London. Based in Covent Garden, the store is Cabourn’s first outside of Japan.
The interior of the store reflects the brand, which is inspired by traditional British military uniforms and the iconic outerwear of famous explorers. As with all of Cabourn’s stores, the London edition takes aesthetic clues from old army gyms.
This past weekend, the Society for Experiential Graphic Design held its 2014 SEGD Conference in Atlanta, where it announced the winners of the annual SEGD Design Awards. The themes of the conference, “Convergence” and “Crossing Lines,” are core concepts in several of our projects that were awarded by SEGD this year.
Michael Bierut’s graphics for Stairwell B at the Museum of the City of New York received an Honor Award as part of the museum’s full renovation by Ennead Architects. Abbott Miller received a Merit Award for “A Beautiful Way to Go,” an exhibition at MCNY commemorating Brooklyn’s historic Green-Wood Cemetery. Paula Scher also received a Merit Award for her redesign of the Public Theater lobby, another collaboration with Ennead that includes interior environmental graphics and a revitalized exterior façade.
Thanks to all of our designers, clients, and teams for the great work!
Square Pie is Britain’s first gourmet pie company, having created 116 different types of pie and providing a truly British culinary experience. To coincide with this week’s launch of their new outlet in Stratford City Westfield, Square Pie asked Pentagram to refresh their identity to reflect their experience within the industry.
Over the past year the lobby of the Public Theater has been transformed into one of New York’s most vibrant and welcoming spaces for theatergoers. As part of a major renovation by Ennead Architects, Pentagram’s Paula Scher has created a program of environmental graphics for the space that integrates her iconic identity for the Public into the architecture of the theater itself.
The renovation opened last fall, but the graphics program was initially incomplete as elements have been gradualy installed throughout the season. The major work on the lobby is now complete, and Scher and her team continue to put finishing touches on other parts of the project.
Tantrum, a new retail concept aimed at teenage girls, has launched its flagship store at Westfield Stratford in London. Pentagram partners William Russell and Domenic Lippa collaborated to develop the interior store design, brand identity and graphic language.
The logotype, designed by Lippa was based around Din rounded, with some characters re-drawn to give the identity personality. In addition, Lippa and his team decided that the identity could be moved, overlapped, made into outlines and played with to keep it fresh.
Last night at 11 Downing Street, the UK’s Chancellor George Osborne presented Magnus Carlsen with the medal for his victory at the World Chess Candidate’s tournament in London.
Best known for their classic modern silverware designs, Robert Welch have recently opened a new store in Bath, England, with designs by Lorenzo Apicella and his team in San Francisco.
Located in Broad Street, in the heart of Medieval Bath, the store’s interior design language builds on Apicella’s Robert Welch flagship studio store in Chipping Campden, completed in 2009. There, a series of sparsely lit cottage rooms were opened up and connected to a central Design Studio and a story wall featuring the life and work of Robert Welch.
In Bath, the same focal displays are also at the heart of the store, this time scaled to suit a space typical to this part of the city—long and narrow with a busy street on one side and a small public courtyard on the other.
Pentagram’s Lorenzo Apicella has designed a new branch for M&T Bank in Newburgh, New York. The branch is the sixth to be completed using our design language for M&T, testing its adaptability and visual impact across a wide spectrum of site types and branch sizes.
Apicella has worked with M&T since 2008 to develop a distinctive brand language for the bank and its branches, to help set M&T apart from its competitors and create a 360-degree experience of the brand. The architecture demonstrates the core values of M&T with a forward-looking design that communicates both openness and security. Like M&T’s other new branches, the building has been constructed to Leadership in Energy and Environment Design (LEED) standards.