The work of Pentagram’s Abbott Miller is the focus of an exhibition currently on view at the Centro Roberto Garza Sada (CRGS), the new art and design center at the Universidad de Monterrey in Mexico. Miller recently created the program of environmental graphics and signage for CRGS, which was designed by the Pritzker Prize-winning architect Tadao Ando and is known as the “Gate of Creation.” The show coincides with the school’s annual UDESIGN Conference, where Miller was the keynote speaker and led a special workshop for designers. The exhibition remains on view through April, and looks ahead to Miller’s upcoming book, Design and Content, to be released in May.
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Watch a video retrospective of 2wice, from its first incarnation as Dance Ink to its recent series of groundbreaking apps.
For two decades, Pentagram’s Abbott Miller has collaborated with the arts patron and publisher Patsy Tarr on pioneering new platforms for dance performance, first in the pages of Dance Ink magazine, then in the unique editions of 2wice. Most recently they have collaborated on a series of apps for 2wice that turn the digital screen of an iPad into a new kind of performance space. Their latest app, DOT DOT DOT, invites viewers to interact with the spatial and temporal representation of dance in a piece specifically designed, choreographed and scored for the digital tablet. On January 27 Miller and Tarr will discuss the app and their ongoing collaboration at “2wice: Dancing from Page to Stage to Screen,” a presentation in the performing arts series Works & Process at the Guggenheim.
Miller and Tarr will be joined at the talk by their DOT DOT DOT collaborators, the choreographer Tom Gold and videographer Ben Nicholas. The event is part of the 30th anniversary season of Works & Process at the Guggenheim and will be presented in the Frank Lloyd Wright-designed Peter B. Lewis Theater. Miller knows the museum well, having designed the look and feel of the Guggenheim identity, as well as the definitive history of its architecture. 2wice was recently honored by the alternative New York performance space La MaMa.
“2wice: Dancing from Page to Stage to Screen” will be presented Monday, January 27 at 7:30 pm at the Guggenheim Museum, 1071 Fifth Avenue in New York. Tickets are available here.
Pentagram recently invited friends, clients and colleagues to “Join the Party” to celebrate the publication of our newest Pentagram Paper, Drawing McCarthy, at a reception at Pravda in New York. The Paper collects a series of previously unpublished drawings created by the artist Arline Simon as she watched the Army-McCarthy hearings when they were originally televised in 1954. Simon was in attendance at the party, as were Victor Navasky, who contributes an essay to the Paper, and Pentagram’s Emily Oberman, who designed the book and also contributes an essay about the artist, who happens to be her mother.
The New York Times recently selected Drawing McCarthy for its 2013 Holiday Gift Guide, in which Times art critic Roberta Smith called Simon’s drawings of the hearings “spare, lovely things, primarily linear, that teeter appealingly between caricature and realism.” A limited number of copies of Drawing McCarthy are available for $20 each, with all proceeds to be donated to the American Civil Liberties Union. Contact firstname.lastname@example.org for details.