“If God meant for Texans to ski, he would have made bullshit white” is an anti-Texas bumper sticker that appeared in New Mexico and Colorado in the 1970s and 80s. You might think a similar derogatory sentiment could be said about Texans and surfing, but you’d be wrong. There are no mountains to ski on in the Lone Star State, but there is abundant coastline along the Gulf of Mexico—over 367 miles of it, to be exact. The Texas Gulf Coast is not Cape Cod or Malibu (nor does it want to be), but it does have a rugged beauty and charm all its own. And it has an enthusiastic and devoted surf culture that has not been fully documented until now.
Partner DJ Stout and lead designer Barrett Fry in Pentagram’s Austin office have designed one of the first serious visual explorations of the Texas Gulf coast surf scene which begins hitting bookstores this week. Surf Texas, published by the University of Texas Press with a foreword by Stephen Harrigan, showcases the lovingly crafted, black-and-white images of Austin photographer Kenny Braun. An exhibition and book release party for Surf Texas, Braun’s first monograph, will be held at the prestigious Stephen L. Clark Gallery in Austin this Saturday, March 22, from 6-9 PM.
Quick Link: DJ Stout to Speak at Design Indaba 2014
Last month the University of Colorado Boulder (CU-Boulder) began unveiling a new visual strategy created by Pentagram. Partner DJ Stout and designers Kristen Keiser and Stu Taylor in Pentagram’s Austin office worked closely with the university’s communications team led by Frances Draper, Michael T. Campbell and Jon Leslie to develop the comprehensive branding initiative.
An updated identity scheme designed by Landor Associates was adopted by the University in 2010. The University of Colorado system includes CU Denver, CU Colorado Springs, CU Anschutz Medical Campus (in Denver) and the original campus in Boulder. Stout and his team were engaged by CU-Boulder a year ago this month and tasked with the challenge of developing a visual strategy that would distinguish the mothership from the other three campuses in the University of Colorado system. The new strategy needed to convey the distinctive personality of CU-Boulder without violating the systemwide identity guidelines developed by Landor.
“The trick was coming up with something that expressed the unique, quirky character of the Boulder campus while wearing the straitjacket of the new identity system,” says Stout. “I felt a little bit like Houdini at times.”
In his never-ending quest to capture the Road Runner, Wile E. Coyote has been a faithful customer of the Acme Company, whose products—Spherical Bombs, Rocket Skates, Spring-Powered Shoes—invariably fail him at the worst possible time. Pentagram’s Daniel Weil has reimagined designs for five of these gadgets, rendered as a series of highly detailed technical diagrams. The drawings were inspired by Ian Frazier’s classic humor essay Coyote v. Acme and accompany a republishing of the article for Pentagram’s annual holiday card.
Pentagram partner DJ Stout and designer Barrett Fry in our Austin office have been designing LMU Magazine, the magazine of Loyola Marymount University in Los Angeles, since they reworked it in 2010. At the time, the Austin team changed the publication’s name from Vistas to LMU Magazine, created LMU Magazine Online, and developed an LMU Magazine App for tablets and mobile. Stout and Fry have collaborated with the magazine’s talented Art Director Maureen Pacino and Editor Joe Waklee-Lynch since the launch issue of the redesign. The new Fall 2013 issue includes a feature on LMU alumnus Van Partible, who created the cartoon classic “Johnny Bravo” while he was a student. Partible sports a “Bravo-esque” bouffant on the front cover of the publication, and his two-dimensional alter-ego shows off the animator’s towering inspiration on the back cover (watch a short film about the cover shoot on LMU Magazine Online).