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New Work: London Design Festival 2014

For the eighth year running, Domenic Lippa and his team have designed the visual identity and promotional materials for London Design Festival, one of the biggest events in the design world. Running from 13th-21st September across London with the V&A as its centre, the Festival includes exhibitions, talks and workshops about a range of design disciplines.

London is a huge and unplanned city where even the most experienced visitors can lose their way. This year Lippa is honouring London’s chaotic nature by challenging visitors to “Lose yourself in the London Design Festival”.

Join live Twitter Q&A with Harry Pearce

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This week, six human rights activists are being celebrated in a mural on Great Eastern Street in London. The 60 square metre wall is Harry Pearce’s latest collaboration with human rights charity WITNESS.

Do you have any questions for Harry Pearce about the wall or his twenty-year partnership with the human rights charity WITNESS? Join us for a live Q&A with Harry on Twitter on Friday 12 September between 4pm – 4.45pm GMT.

Tweet your questions to @pentagram with the hashtag #WITNESSlive.

New Work: WITNESS wall

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This week, six human rights activists are being celebrated in a mural on Great Eastern Street in London. The 60 square metre wall is the combined work of Pentagram and six street artists. It will be displayed until 13 September.

It is Harry Pearce’s latest project with WITNESS, an international organisation that trains and supports people to use video to fight for human rights. Every year, Pearce and his team at Pentagram prepare posters and invitations for WITNESS’ annual fundraiser in New York. The East London wall is the basis for this year’s printed materials and a film of its construction will be released in the run up to the fundraiser on 16 October.

New Work: ‘Circular 18’

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Circular is the members magazine of The Typographic Circle, the non-profit, all-volunteer organisation for anyone with an interest in type and typography. Designed by Pentagram’s Domenic Lippa and Jeremy Kunze, the latest issue of the publication, Circular 18, puts type front and center with a layout that is almost entirely typographic. Circular 18 is the tenth consecutive issue designed by Lippa and his team.

The Typographic Circle prides itself on providing a platform for a number of voices, and is known for its series of diverse monthly lectures by leading industry figures, as well as the London presentation of the annual New York Type Directors Club exhibition. Speakers at Circle events have included Trevor Beattie, Stefan Sagmeister, Ken Garland, Jonathan Barnborook, Anthony Burrill, Rick Poynor and Sir John Hegarty, among others. Lippa has had a long-standing relationship with the organisation, having served on the committee for many years and also as its Chair.

These many different voices come into play in the new Circular. Each edition of Circular is individually designed, giving Lippa and his designers an opportunity to explore different typographic solutions. The previous issue, Circular 17 (from 2011), was completely visual. For the new issue, Lippa wanted to create a design that was predominantly typographic. Titled “Words & Images,” the new issue features a series of interviews with previous guest speakers conducted by Lippa himself, as well as other members of the Circle executive committee, including current chairperson Alan Dye of NB Studio, Louise Sloper and Val Kildea.

A Smaller Symbol

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A miniature edition of Symbol is due to be published in August. Authored by Pentagram partner Angus Hyland, with Steven Bateman, it condenses the appeal of the original 2011 book into a new, smaller format.

“The idea behind the book is to explore the visual language of symbols according to their most basic element: form,” Hyland writes. “We have brought together symbols conceived all over the world, in different times and for different purposes, and categorized them by visual types.”

The book lays these symbols out in a manner divested of all agendas, meanings, and messages that might be given by their customary contexts, isolating them so that the reader can enjoy them as a pictorial language in their own right.