Pentagram

New at Pentagram

Skip to content

Equilateral: An Audiovisual Essay in Triangles

Founded in 1962 on humanitarian principles, Al-Dabbagh is a family-run organisation with a unique philosophy that balances earning with philanthropy to deliver impact and scale for the greater good. Having set targets for 2020, Al-Dabbagh asked Naresh Ramchandani and Domenic Lippa to create a film to communicate its unique ecosystem and ambitions.

Circular 18 Poster Giveaway

Poster-017_01

This week, we are giving away twelve signed, limited edition A1 posters by Domenic Lippa and Jeremy Kunze. The posters are inspired by four interviews in ‘Circular 18’, the latest edition of the Typographic Circle’s members magazine, which was also designed by Lippa and Kunze.

We’ll be giving away three copies of each of the posters every day until Friday on our Twitter. To be in with a chance to win all you need to do is retweet one of our daily Tweets about the giveaway.

Design Insights from Deyan Sudjic

B-is-for-Bauhaus-12012015

On Tuesday 3 February Deyan Sudjic gave a talk at Pentagram’s London studio,  where he shared thoughts from his latest book B for Bauhaus.

An architect by training, Deyan is the Director of the Design Museum, which next year will complete a £80 million move from Tower Hill to the Commonwealth Institute in West London. Before taking the helm at the Design Museum, he was director of Glasgow UK City of Architecture and the Venice Architecture Biennale. He was also the Editor of Domus Magazine from 2000 to 2004, and was Founding Editor of Blueprint Magazine from 1983 to 1996.

Read highlights from his talk after the jump.


02/06/2015 | Permalink

And Don’t Forget to Change the World

change_the_world

Naresh Ramchandani explores how every piece of creative work can do good. 

Stuck to my psyche is a post-it note reminding me of the kind of work I always want to do. On the note are the words ‘… and don’t forget to change the world.’ It’s a pretty big phrase for a small imaginary post-it but it’s there to remind me that, every time I make a piece of creative work, I have the choice to make the world a little better or a little worse with that work, and the second option is not an option.