John Rushworth has developed a strategy and visual identity for The Mansion on Marylebone Lane, a 22-unit development in Central London that modernises the concept of a mansion block.
Rushworth’s approach was informed by London’s long history of mansion buildings. A result of the population boom during the industrial revolution, mansion blocks were built in the late 19th century to meet the demands of the new wealthy to have a pied-à-terre in the capital. A distinctly London-based idea, these apartment blocks use Queen Anne’s, Arts and Crafts and Edwardian style architecture, and are unified by red brick facades with terracotta detailing. The blocks are concentrated in the historically wealthy areas of Kensington, Marylebone and Knightsbridge.
Continue reading “New Work: The Mansion on Marylebone Lane”
Last Folio – Traces of Jewish Life in Slovakia – an exhibition of photographs by Yuri Dojc, designed by Daniel Weil – has come to Germany for the first time. From 24 April to 27 June 2015, the exhibition will be on display in Staatsbibliothek zu Berlin (National Library of Germany).
The exhibition is part of worldwide commemorations to mark the 70th anniversary of the end of World War II. It came to Berlin from the Mark Rothko Art Centre in Latvia.
Continue reading “Last Folio: A Memorial that Travelled the World”
Marina Willer and team have created a new identity for Rogers Stirk Harbour and Partners, Richard Roger’s award winning architecture firm that, amongst others, has designed the Pompidou Centre in Paris, the Lloyd’s Building in London (which in 2011 became the youngest ever to be given Grade I-listed status), and the Stirling Prize winning Madrid Barajas Airport.
Continue reading “Individual and Collective: Working with Richard Rogers”
Naresh Ramchandani shares six things he learnt whilst judging D&AD’s White Pencil ‘Creativity for Good’ Award.
Last week I was lucky enough to sit on the D&AD White Pencil jury. I was with a terrific group of judges, judging the work I care most about – work that is here to do good. We looked at a vast amount of entries from around the world and figured a few things out in the process. I wanted to share some reflections on a hugely thought-provoking week.
Continue reading “Fighting the Good Fight”
A few weeks ago, Angus Hyland was searching through his archives when he came across a complete series of The Pocket Canons. In the spirit of giving, we’ve decided to donate the series to one of you through a Twitter competition.
To enter, Tweet @Pentagram with the answer to the following question: Who wrote the introduction to The Epistles of James, Peter, John and Jude in the Pocket Canons series?
Continue reading “The Pocket Canons Giveaway”
John Rushworth has developed a brand strategy and visual identity for Ten Trinity Square, a redevelopment of the former Port of London Authority building in the City of London consisting of a private members club, 41 luxury residencies and a Four Seasons hotel. It is the first investment of Chinese conglomerate Reignwood, outside of Asia in super prime real estate.
The brief was to reinvigorate the purpose of the building and create a long-term vision that would also support Reignwood’s future investments in the sector. To do this, the project had to be positioned in a way that recognised its location, architecture and historical importance.
Continue reading “New Work: Ten Trinity Square”
Graphic designer, typographer, letterpress printmaker and teacher, Alan Kitching is internationally renowned for his expressive use of letterpress type processes. His latest book, Alan Kitching’s A-Z of Letterpress, showcases the extensive wood-letter fount collection of The Typography Workshop.
The book is a collaboration between Kitching and Angus Hyland. In 2014, Hyland approached Kitching with the proposal of hand-setting letterpress alphabets to celebrate the Typographic Workshop’s 25th Anniversary. Together they devised a page layout and Kitching set the entire book, which is printed on letterpress and then reproduced at the same size.
Continue reading “New Work: ‘Alan Kitching’s A-Z of Letterpress’”
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