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New Work: ‘Abbott Miller: Design and Content’

Pentagram’s Abbott Miller surveys his work for the first time in Design and Content, a new monograph out today from Princeton Architectural Press. For the book, Miller assumes both roles of designer and author, presenting his work as a catalog of design strategies that emerge from the unique circumstances of form and content.

Miller takes readers through projects ranging from books, magazines, and identities to exhibitions, environmental graphics, apps and wallpaper. The book includes a diverse range of projects for clients such as Harley-Davidson, the Guggenheim, Vitra, Knoll, Formica, and Rolling Stone, as well as Miller’s pioneering work as an art director and editor, most notably for the visual and performing arts foundation 2wice. The book highlights his collaborations with artists such as Matthew Barney, Yoko Ono, William Kentridge, Twyla Tharp and Merce Cunningham, and architects Thom Mayne (Morphosis), Tod Williams and Billie Tsien, and Diller Scofidio + Renfro.

The book features a foreword by Rick Poynor and an essay by Ellen Lupton. The book also includes a new essay by Miller, as well as three pieces originally written for Eye. A roundtable conversation on contemporary design practice with fellow Pentagram partners Michael Bierut, Eddie Opara and Paula Scher concludes the book.

New Work: The Public Theater 2014-2015 Campaign

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The campaign for the 2014-2015 season at the Public uses dynamically skewed typography.

Pentagram’s Paula Scher puts a new slant on her iconic identity for the Public Theater in the campaign for the institution’s 2014-2015 season, launching this month. Designed with Kirstin Huber, Senior Graphic Designer at the Public, promotions for the upcoming slate of productions use skewed typography for a dynamic take on the theater’s signature look. The campaign marks the 20th anniversary of Scher’s continuing collaboration with the Public.

New Work: ‘The Atlantic’ Ideas Issue

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This year’s edition of The Atlantic’s annual Ideas issue focuses on creativity and “how genius happens.” To celebrate the theme, the magazine invited three leading artists and designers to create images for a collection of cover for the issue, each highlighting a different aspect of creativity.

For his cover, Pentagram’s Eddie Opara rendered the brain as a colorful network of lines and connections. The illustration accompanies “Secrets of the Creative Brain,” an article by the neuroscientist Nancy C. Andreasen about the brain processes that foster creativity. In his note about the cover series, Atlantic Creative Director Darhil Hooks says Opara presents “the brain—an unfathomably complex organ—as an object both simple and beautiful.” Other covers for the issue were created by Shepard Fairey and Geoff McFetridge.