Quick Link: Natasha Jen Interviewed by Creative Bloq
Teetering at ever-higher heights and in endlessly inventive styles, shapes and materials, high heels are the most desired fashion objects in the world. Killer Heels: The Art of the High-Heeled Shoe is a major exhibition at the Brooklyn Museum that explores the cultural history of the high heel and its associations with power, sex and fantasy. Pentagram’s Abbott Miller has created a catalogue for the exhibition that showcases the shoes as extraordinary works of art and design.
Quick Link: Natasha Jen Interviewed by Designboom
Pentagram’s Abbott Miller surveys his work for the first time in Design and Content, a new monograph out today from Princeton Architectural Press. For the book, Miller assumes both roles of designer and author, presenting his work as a catalog of design strategies that emerge from the unique circumstances of form and content.
Miller takes readers through projects ranging from books, magazines, and identities to exhibitions, environmental graphics, apps and wallpaper. The book includes a diverse range of projects for clients such as Harley-Davidson, the Guggenheim, Vitra, Knoll, Formica, and Rolling Stone, as well as Miller’s pioneering work as an art director and editor, most notably for the visual and performing arts foundation 2wice. The book highlights his collaborations with artists such as Matthew Barney, Yoko Ono, William Kentridge, Twyla Tharp and Merce Cunningham, and architects Thom Mayne (Morphosis), Tod Williams and Billie Tsien, and Diller Scofidio + Renfro.
The book features a foreword by Rick Poynor and an essay by Ellen Lupton, as well as a new essay by Miller and three pieces originally written for Eye. A roundtable conversation on contemporary design practice with fellow Pentagram partners Michael Bierut, Eddie Opara and Paula Scher concludes the book.
Quick Link: Abbott Miller Interviewed by Fast Company
The campaign for the 2014-2015 season at the Public uses dynamically skewed typography.
Pentagram’s Paula Scher puts a new slant on her iconic identity for the Public Theater in the campaign for the institution’s 2014-2015 season, launching this month. Designed with Kirstin Huber, Senior Graphic Designer at the Public, promotions for the upcoming slate of productions use skewed typography for a dynamic take on the theater’s signature look. The campaign marks the 20th anniversary of Scher’s continuing collaboration with the Public.
Quick Link: Eddie Opara to Speak at Design Exchange Boston
Quick Link: Natasha Jen to Speak at Kyoorius Designyatra