Every year, the Type Directors Club awards outstanding achievement in typographic design, in print and on screen. Winning projects are presented in the club’s yearly Typography Annual publication, as well as in a traveling exhibition that makes stops at several cities around the world.
We are pleased to announce that several of our projects have been selected as winners in TDC60, this year’s communication design competition of the Type Directors Club. Winners from Pentagram include Michael Bierut’s design for the WalkNYC pedestrian wayfinding system, Eddie Opara’s identity for the non-profit organization Platform, Emily Oberman’s identity for the film production company Jigsaw, and Paula Scher’s poster commemorating the 50th anniversary of the National Theatre in London.
In addition to being honored alongside this year’s winners, Paula Scher’s environmental graphic system for the Public Theatre Lobby was selected as a judge’s choice by Debbie Millman and will appear at the front of Typography 35, TDC’s annual for 2014 designed by COLLINS.
Thanks to all our designers, teams, and clients for their excellent work!
In his new book Build, Memory (Monacelli Press), the award-winning architect James Stewart Polshek chronicles his fifty-plus-year career in a unique “memoir of projects” that tells his story through 16 key works. (The title is a play on Vladimir Nabokov’s memoir, Speak, Memory.) Polshek writes a candid personal narrative that details his experience designing landmark projects such as the William J. Clinton Presidential Center in Little Rock, the Newseum in Washington, DC, and the Rose Center for Earth and Space at the American Museum of Natural History in New York. Pentagram’s Paula Scher and team have designed the book with a clear, cogent format that complements Polshek’s articulate and accessible writing.
Type surrounds us everyday in countless forms—on screens and publications, on signs and buildings, on products and packaging—and in just as many varieties. Created by Pentagram’s Abbott Miller and produced and curated by Monotype, Century: 100 Years of Type and Design is a new exhibition at the AIGA National Design Center in New York that celebrates the incredible diversity of typefaces and their integral role in design over the past 100 years. Organized as part of AIGA’s centennial year, the show opened this week and will serve as the hub of two months of presentations, lectures, workshops and receptions.
Miller’s exhibition design for Century transforms the AIGA gallery into an immersive environment of typography. The walls and ceilings have been dotted with hundreds of typographic periods drawn from the Monotype library, and a pair of dynamic animations further express the variations of different typefaces. The design sets the stage for the remarkable host of artifacts on display, including rare works from the archives of leading design organizations including Monotype, AIGA, Pentagram, Mohawk Paper, the Type Directors Club, Condé Nast, Hamilton Wood Type and Printing Museum, the Type Archive, the Herb Lubalin Study Center at Cooper Union, Alan Kitching and the Museum of Printing.
There’s nothing quite like experiencing New York City on a bike, especially on a beautiful spring day surrounded by thousands of fellow riders. This Sunday, May 4, over 32,000 cyclists will bike 40 miles of traffic-free streets in the annual TD Five Boro Bike Tour, presented by the non-profit organization Bike New York. Pentagram’s Emily Oberman and team have designed the graphics for this year’s Tour, as well as the promotional campaign for Bike Expo New York, a two-day event that leads up to the big ride. The graphics look ahead to Oberman’s design of a new identity and website for Bike New York, which launches this summer.
Created by Pentagram’s Abbott Miller and produced and curated by Monotype, Century: 100 Years of Type and Design is a new exhibition at the AIGA National Design Center in New York that celebrates the integral role of type in design. Organized as part of AIGA’s centennial year, the show opens this Thursday, May 1, and will serve as the hub of two months of presentations, lectures, workshops and receptions.
Century features a host of rare works and unique artifacts from leading design organizations including Monotype, AIGA, Pentagram, Mohawk Paper, the Type Directors Club, Condé Nast, Hamilton Wood Type and Printing Museum, the Type Archive, the Herb Lubalin Study Center at Cooper Union, Alan Kitching and the Museum of Printing.
Miller was honored with the AIGA Medal this year. His exhibition design for Century transforms the AIGA gallery into an immersive environment of typography. The walls and ceilings have been dotted with hundreds of typographic periods drawn from the Monotype library. The idea of multiplicity is reinforced in Miller’s mark for the exhibition, a letter “C” rendered in segments of different Monotype fonts. In an animation created for the gallery, the “C” cycles through hundreds of typefaces that move like the minute hand on a clock.
Century is free and open to the public and remains on view through June 18 at the AIGA National Design Center, 164 Fifth Avenue, New York City. Read more about the exhibition here.
Pentagram’s Eddie Opara and team have developed a comprehensive new identity system for Codecademy and the user interface for the platform’s redesigned website, which launched earlier this week. Inspired by coding, the identity has been conceived as an adaptive kit of parts that can be extended as the company grows and establishes partnerships with other organizations.The designers worked closely with the Codecademy co-founders and lead designer Manuel Lima on the program.
“Codecademy is a business we’ve built to help everyone in the world learn the skills they need to make things and find jobs,” says Zach Sims. “We think our new look will make Codecademy’s impact even greater for the millions of people who have already started learning on the platform, as well as future users who want to code.”