(This post is written Martina Margetts, Senior Tutor in Critical & Historical Studies, Royal College of Art. Martina is Guest Curator of “Time Machines: Daniel Weil and the art of design”)
An exhibition is a big tent with life inside it. Curating an exhibition about Daniel Weil and his career in design is like trying to hold down a tent in a force-nine gale: gusts of ideas, objects, drawings, sounds and memories swell the canvas to unsustainable proportions, then gradually the wind drops to settle its shape. While Daniel’s career over three decades includes large-scale interior design and furniture, this first solo museum show is a ‘wunderkammer’ installation focusing on his own projects and commercial products alongside a special new series of eight clocks and ten large drawings.
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Now that it’s finally spring things are really starting to heat up in New York. Tonight the Cathedral Church of Saint John the Divine hosts its annual Maundy Thursday evening reading of selections from the Inferno, the opening section of Dante Alighieri’s medieval masterpiece the Divine Comedy. The dramatic literary event is presented in the Cathedral crossing and features a lineup of distinguished guests. Our poster for the reading uses the identity for the Cathedral designed by Michael Bierut, most recently seen on our signage for the institution’s four-legged parishioners. The graphics employ the custom font Divine, a redrawn version of Frederic Goudy’s 1928 Blackletter.
Project Team: Michael Bierut, partner-in-charge and designer; Katie Barcelona, designer.
This spring legendary chef Bobby Flay makes his long-awaited return to the New York dining scene with Gato, his first restaurant to open in the city in nine years. Gato serves a Mediterranean menu inspired by the flavors of Spain, Italy, France and Greece. For the restaurant’s identity, Flay turned to Pentagram’s Michael Bierut and team, who previously designed the graphics for Flay’s brasserie Bar Americain and popular fast-casual chain Bobby’s Burger Palace. The Gato graphics complement the restaurant’s bold cuisine and industrial-chic NoHo setting with strong typography and a factory aesthetic.
Continue reading “New Work: Gato”
Quick Link: “Time Machines: Daniel Weil and the Art of Design” Opens 14th May at the Design Museum
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The innovative New York based architecture firm GLUCK+ is a pioneer of Architect Led Design Build (ALDB), an integrated strategy that makes architects responsible for all aspects of the architectural process, from conception to construction. An alternative to the traditional design-bid-build process, ALDB puts the same people in charge of an entire project, resulting in better quality and cost of the finished building. Pentagram’s Eddie Opara and his team have collaborated with GLUCK+ on a comprehensive rebranding that highlights the firm’s multi-disciplinary approach in the new GLUCK+ name and identity, as well as a dynamic new website.
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Now in its seventh year, the Design Museum’s Designs of the Year exhibition features the most innovative, inventive design spanning several disciplines, including architecture, digital, graphic and fashion. Marina Willer’s identity for the Serpentine Galleries was shortlisted earlier this year and can now be seen at the museum.
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Great Eastern Energy is one of the largest alternative suppliers of natural gas and electricity in New York, New Jersey and Massachusetts. Founded at the start of energy deregulation in 1996, GEE is an Energy Service Company (ESCO), or third-party energy retailer, that offers consumers the opportunity to choose who supplies their energy and helps them create more cost-efficient plans, then coordinates with local utility companies like Con Edison or National Grid for delivery of the energy to homes and businesses.
Pentagram’s Natasha Jen and team have designed a new identity for GEE that positions the company as a unique and innovative energy provider. Modern, friendly and accessible, the identity is part of a comprehensive program of graphics we created for GEE that helps educate consumers about energy and design their own solutions to save energy. Since the launch of the identity this winter, the number of consumers who have made the switch to GEE has increased by an extraordinary 500 percent.
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