New York has always been a favorite location for filmmakers, but over the past decade production in the city has exploded, increasing by 25 percent and contributing over 130,000 jobs and $7.6 billion to the economy. Helping to fuel this boom is the New York City Mayor’s Office for Media and Entertainment, the first city agency of its kind in the world. Established in 1966, the office oversees film and television production in New York and fosters the relationship between filmmakers and the local economy.
Produced with the agency, Scenes from the City: Filmmaking in New York. Revised and Expanded is the new 2014 edition of James Sanders’ history of the past five decades of film and television shot in NYC, from Sweet Smell of Success and “The Honeymooners” to The Amazing Spider-Man and “Girls.” Pentagram’s Michael Bierut and team have designed the new edition, building on their format for the original 2006 book.
(This post is written Martina Margetts, Senior Tutor in Critical & Historical Studies, Royal College of Art. Martina is Guest Curator of “Time Machines: Daniel Weil and the art of design”)
An exhibition is a big tent with life inside it. Curating an exhibition about Daniel Weil and his career in design is like trying to hold down a tent in a force-nine gale: gusts of ideas, objects, drawings, sounds and memories swell the canvas to unsustainable proportions, then gradually the wind drops to settle its shape. While Daniel’s career over three decades includes large-scale interior design and furniture, this first solo museum show is a ‘wunderkammer’ installation focusing on his own projects and commercial products alongside a special new series of eight clocks and ten large drawings.
Now that it’s finally spring things are really starting to heat up in New York. Tonight the Cathedral Church of Saint John the Divine hosts its annual Maundy Thursday evening reading of selections from the Inferno, the opening section of Dante Alighieri’s medieval masterpiece the Divine Comedy. The dramatic literary event is presented in the Cathedral crossing and features a lineup of distinguished guests. Our poster for the reading uses the identity for the Cathedral designed by Michael Bierut, most recently seen on our signage for the institution’s four-legged parishioners. The graphics employ the custom font Divine, a redrawn version of Frederic Goudy’s 1928 Blackletter.
Project Team: Michael Bierut, partner-in-charge and designer; Katie Barcelona, designer.
This spring legendary chef Bobby Flay makes his long-awaited return to the New York dining scene with Gato, his first restaurant to open in the city in nine years. Gato serves a Mediterranean menu inspired by the flavors of Spain, Italy, France and Greece. For the restaurant’s identity, Flay turned to Pentagram’s Michael Bierut and team, who previously designed the graphics for Flay’s brasserie Bar Americain and popular fast-casual chain Bobby’s Burger Palace. The Gato graphics complement the restaurant’s bold cuisine and industrial-chic NoHo setting with strong typography and a factory aesthetic.
The innovative New York based architecture firm GLUCK+ is a pioneer of Architect Led Design Build (ALDB), an integrated strategy that makes architects responsible for all aspects of the architectural process, from conception to construction. An alternative to the traditional design-bid-build process, ALDB puts the same people in charge of an entire project, resulting in better quality and cost of the finished building. Pentagram’s Eddie Opara and his team have collaborated with GLUCK+ on a comprehensive rebranding that highlights the firm’s multi-disciplinary approach in the new GLUCK+ name and identity, as well as a dynamic new website.
Now in its seventh year, the Design Museum’s Designs of the Year exhibition features the most innovative, inventive design spanning several disciplines, including architecture, digital, graphic and fashion. Marina Willer’s identity for the Serpentine Galleries was shortlisted earlier this year and can now be seen at the museum.