In 2006, serendipity led two former political exiles, photographer Yuri Dojc and documentary producer Katya Krausova, to an abandoned Jewish school in their homeland, Slovakia. Abandoned since 1942, when all its students had been deported to concentration camps, Dojc photographed the building and disintegrating school books within it. These photographs were the beginning of Last Folio, an international travelling exhibition and documentary film.
In commemoration of the 70th anniversary of the end of World War Two, Dojc and Krausova have released a book, Last Folio: A photographic Memory, that documents their exploration into Slovakia’s pre-war Jewish culture.
Auf einer Reise durch ihr Heimatland Slowakei entdeckten Fotograf Yuri Dojc und die Filmemacherin Katya Krausova eher zufällig ein verlassenes, halb verfallenes jüdisches Schulhaus. Als wäre die Zeit stillgestanden seit jenem Tag im Jahr 1942 – als sämtliche Schüler und Lehrer dieser Schule von den Nazis in ein Konzentrationslager deportiert wurden – befanden sich darin noch alle Schulbücher, so, wie sie zurückgelassen worden waren.
Dojc fotografierte das verfallene Gebäude und die darin zurückgebliebenen Schulbücher. Da für Dojc die Bücher allesamt Überlebende einer schrecklichen Zeit waren, versuchte er, sie mit seinen Fotos auch so zu portraitieren. Diese Fotografien waren der Anfang von Last Folio, einer internationalen Wanderausstellung und einem Dokumentarfilm.
Im Gedenken an den 70. Jahrestag des Endes des zweiten Weltkrieges haben Dojc und Krausova nun ein Buch veröffentlicht: Last Folio – ein fotografisches Gedächtnis, das ihre Reise in die jüdisch-slowakische Vorkriegskultur dokumentiert.
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In his classic novel Around the World in 80 Days, French author Jules Verne envisioned the future of travel and globalization bolstered by the technological advances of the late nineteenth century. The current exhibition at the Museum für Kommunikation in Berlin, In 80 Dingen um die Welt: Der Jules-Verne-Code (Around the World in 80 Things: The Jules Verne Code), explores the history of globalization via the route in Verne’s novel, taking visitors on a voyage of discovery around the globe and across time as told through 80 objects directly related to the story.
Pentagram’s Justus Oehler and his team in Berlin have designed the visual identity for the exhibition, which has been applied to posters, leaflets, and outdoor promotional banners. Pentagram also designed the 260-page exhibition catalogue and a series of three billboard posters displayed in subway stations around Berlin.
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Pentagram’s Justus Oehler and his team in the Berlin office have updated the brand identity of JLL , the global real estate services provider. The new logo accompanies the shortening of the company’s name from Jones Lang LaSalle to JLL.
A leader in its category, JLL specializes in commercial real estate services and investment management and employs 48,000 people in 1,000 locations in 70 countries around the world. The JLL symbol is known as the “Worldmark” and represents a truly global company comprised of multiple strands of expertise working in collaboration. Oehler and his designers have retained the iconic symbol for the refresh, but made it red to help it better stand out and added shading to make it more dimensional.
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Founded by Thomas Lommel, an extraordinary man who was once a German army athlete and now speaks with olive trees, Oliveda is a cosmetics company that uses age-old mediterranean recipes to offer high quality natural products. As the company has grown and acquired other brands including Bio Revital AG, Oliveda has ambitions to expand into 20 new countries and was looking for a complete relaunch of the brand. Pentagram’s Justus Oehler was approached to design the logo, packaging, website and communication materials.
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Have you ever had a great cup of tea at a music festival?
YANG CHAI is a new brand from a Munich-based entrepreneur which sources and creates new tea varieties and then makes them available at festivals, at open air markets and through an online shop.
YANG CHAI targets a young, design-conscious audience and therefore wanted to provide an alternative to the current tea brand trends. “We wanted to position this brand well away from the ‘homely’ or ‘organic’ looking tea brands which have come to the market in recent years”, says Justus Oehler, Pentagram partner.
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In 1933, two years after Hitler came to power, Jewish citizens were persecuted and victimised across Germany. All Jewish citizens were forced to stop trading, and amongst them were 500 architects. Some managed to flee, others were deported and killed in concentration camps. Many architects who were once well-known are now forgotten and their works have been altered or destroyed.
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The 83rd International Geneva Motor Show was a landmark event for Rolls Royce, with the launch of their new Wraith, which the carmaker calls the “most potent and technologically advanced” in its history. Justus Oehler and his team designed the customer experience for their exhibition space, building on his work with the company over the last two years and creating a narrative and a monolithic expression for the brand, encapsulating style and elegance.
The space was multifaceted, featuring a large lounge with a seating and bar area, an atelier, a sales area and glass cabinets with after-sales items. All areas were gathered around a Rolls-Royce car, a focal point in the space. Oehler designed the atelier shelves, with all its original pieces sourced from the Rolls-Royce workshops and factory. He also designed the information graphics and selected the materials needed to develop the overall look and feel of the space, collaborating with Puchner P3 architects based in Munich.
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Justus Oehler and his team have designed the cover for the new edition of “Sketches of Spain” by esteemed Spanish poet and dramatist Federico Garcia Lorca.
Written in 1918, the book features a series of meditations on Spanish art, landscapes and history. This latest publication by Serif publishers is the first time that the highly acclaimed book has ever been published in the UK.
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This spring the Deutsche Kinemathek — Museum für Film and Fernsehen in Berlin presents Martin Scorsese, the first major exhibition about the visionary American director of films including Mean Streets, Taxi Driver, Raging Bull, Goodfellas, The Departed, Hugo, among many others. The exhibition was principally compiled from Scorsese’s private collection in New York, as well as the collections of his frequent collaborators Robert De Niro and Paul Schrader, housed at the Harry Ransom Center at the University of Texas at Austin.
Pentagram partner Justus Oehler and designer David Steingrüber in the Berlin office have designed the identity and communications campaign for the exhibition. The core element is a graphic device that transforms Scorsese’s name into a prism-like sculptural image, created by layering the typography and making it transparent, and by integrating a portrait of the director. The campaign complements the graphic identity and previous campaigns Oehler has created for the museum.
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Quick Link: Justus Oehler Joins Judging Panel for the Hiiibrand Award