For its holiday benefit, DAHRA (Designers Against Human Rights Abuses) asked 20 of the world’s top graphic and product designers and 10 students to customize do-it-yourself Munny dolls. The signed Munnies will be auctioned at Play.Create, a party presented by DAHRA and Glug London to aid Barnardo’s, the UK-based children’s charity.
Paula Scher gave her Munny a stylish ‘do of almost 1,000 red map pins. “I took out my frustration by sticking the doll with pins,” she says.
Other designers who decorated dolls for the event include Andy Altmann of Why Not Associates, Joe Shouldice of Sagmeister Inc. and Michael C. Place of Build.
The auction and party takes place on Tuesday, 15 December at the Book Club in London. Tickets are on sale now; details here.
Continue reading “Designer Munnies Raise Cash for Charity”
Quick Link: Paula Scher’s D&AD Lecture Noted on the Eye Blog
Quick Link: Paula Scher at D&AD
Quick Link: Paula Scher at Designism 4.0
Quick Link: Paula Scher, Carin Goldberg, Gail Anderson & Arem Duplessis on Design Education at AIGA/NY
Quick Link: Paula Scher at AIGA Detroit
Quick Link: Paula Scher at Pratt
Paula Scher has designed a new identity for the Bard Graduate Center: Decorative Arts, Design History and Material Culture. Founded in 1993 by Susan Weber, BGC’s director, the school is an important academic institution devoted to the study of the history of the material world, the objects that people make to transform their surroundings: architecture, craft and design. It is one of the only programs of its kind in the country and a top school for scholars and curators of the decorative arts. The center is affiliated with Bard College and is located in a pair of townhouses on Manhattan’s Upper West Side.
Scher designed BGC’s first logo when the center opened in 1993. The original logo was a monogram of three letters set in Baskerville with a decorated “G” and was applied to letterhead and the covers of brochures without any established format or system. It was pretty, and it communicated that the school was devoted to the decorative arts. But in the years since, BGC has grown in size and stature, and the logo began to seem precious and no longer conveyed the breadth of the center’s programs. The launch of the new identity is timed to a major renovation and expansion of the school by Polshek Partnership Architects. The center has also officially changed its name to the Bard Graduate Center: Decorative Arts, Design History, Material Culture, lengthening it slightly from the already long Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. The school needed a new institutional identity that communicated its importance. A simple, static logotype was no longer enough for the institution; its identity must function as a flexible system that supports broad applications across multiple platforms.
Continue reading “New Work: Bard Graduate Center”
Quick Link: Paula Scher at FIT
A Homeland Security task force will soon review and possibly change the system of color-coded terrorism alerts implemented in the U.S. after the 9/11 attacks. For an Op-Art exercise in Sunday’s New York Times, four graphic designers were asked to develop a new, better system of alerts. Paula Scher created a two-letter system that uses C to stand for Caution and A for Alert. (The A gets an extra slash across its form for added emphasis.) Kurt Andersen provides online audio commentary and judges Scher’s submission to be the most effective because it acknowledges there are really only two states of warning when it comes to terrorism: Caution (“We will always need to be cautious,” says Scher) and full-on Alert.