For the seventh year running, Domenic Lippa and his team have designed the visual identity and promotional materials for London Design Festival, one of the biggest events in the design world. Running from 14th-22nd September across London with the V&A as its hub, the Festival will feature exhibitions, talks and workshops about design.
Lippa executed this year’s theme, ‘Design is Everywhere,’ by using the words ‘Here’ ‘There’ and ‘Everywhere’ as a central focus of the design. As with his other London Design Festival identities, red and white were the only colours used.
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Since 2006, Last Folio, the exhibition of photographs by Yuri Dojc, designed by Daniel Weil has been on display at Cambridge University, The New York Museum of Jewish Heritage, the Grunwald Gallery of Art in Indiana, European Commission in Brussels and the Pierre Berge Foundation.
Yuri Dojc’s photographs capture the remnants the once vibrant jewish lives in pre-war Slovakia – ruined synagogues, burned books, decaying graveyards.
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Pentagram is thrilled to announce that the DOT DOT DOT app designed by Abbott Miller has been nominated for a 2013 People’s Design Award. Presented by Cooper-Hewitt, National Design Museum and Smithsonian Magazine, the awards invite the public to vote for their favorite design from a pool of 20 nominees recognized for innovation. The contest runs through October 11, and the winner will be announced live at the National Design Awards Gala on October 17.
Cast your vote for DOT DOT DOT here. (One vote per day.)
DOT DOT DOT is one of several interactive designs nominated in the awards. Conceived and designed by Miller and developed in collaboration with 2wice publisher Patsy Tarr and the choreographer Tom Gold, the app invites viewers to interact with a dance designed, choreographed and scored for the iPad. The app uses a graphic interface of black and red dots that trigger different actions when touched by the user, defining the dancer’s movements through a series of vignettes. DOT DOT DOT is available for download from iTunes.
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Tonight Yale University will present the inaugural Donald Windham—Sandy M. Campbell Literature Prizes, a major new literary award that honors outstanding achievement in the fields of fiction, non-fiction and drama. Endowed by the estate of the writer Donald Windham and his companion Sandy M. Campbell, the prizes will award nine winners with $150,000 each, one of the largest literary prizes in the world. The awards are administered by the Yale Beinecke Rare Book and Manuscript Library, which houses the Donald Windham and Sandy M. Campbell Collections, and tonight’s ceremony also kicks off the first Windham Campbell Festival, a four-day public event at Yale that will include master classes, talks, readings and signings.
Pentagram’s Michael Bierut and team have created an identity for the prizes based around the elegant graphic motif of brackets. Appearing in various forms, the brackets are familiar symbols of language and also convey diversity and inclusion, important elements of the awards. The designers worked on the project with Michael Kelleher, the founding director of the Windham-Campbell program.
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One of fashion’s most gratifying thrills is finding new and unexpected pieces and putting them together to make a fresh look. The Fall 2013 campaign for Saks Fifth Avenue showcases the luxury retailer as the ultimate place for fashion discovery. Designed by Pentagram’s Michael Bierut and team, the campaign uses the word “LOOK” as a bold, attention-getting graphic motif that invites shoppers to explore the store and its style. The campaign builds on our identity for Saks and was developed in collaboration with Terron Schaefer, Saks’ executive vice president and chief creative officer.
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Animated version of the identity for the US Pavilion at the 2014 Venice Architecture Biennale. Design by Natasha Jen/Pentagram.
The U.S. Department of State has selected Storefront for Art and Architecture, in association with PRAXIS Journal, to represent the U.S. in the 2014 Venice Architecture Biennale. As part of a collaborative team assembled by Storefront of Art and Architecture, Pentagram’s Natasha Jen will design the identity and environmental graphics for the U.S. Pavilion, which is titled OfficeUS: Criticism by Remaking, and will feature a working architecture office exploring 1,000 projects from 100 years of American design exports.
The 2014 Biennale carries the theme “Fundamentals” and has been commissioned by the architect Rem Koolhaas. The U.S. Pavilion is co-curated by Eva Franch i Gilabert, executive director and curator of Storefront for Art and Architecture; Ana Milijački, architecture professor at the Massachusetts Institute of Technology; and Ashley Schafer, editor of PRAXIS. The three curators have re-imagined the exhibition as an active, experimental architectural office that will research, study and remake 1,000 projects designed by American architecture firms over the past century throughout the world. The installation will contain two interrelated components: 1) The Repository, an exhibition archive of the 1,000 selected projects; and 2) The Office, a working laboratory of diverse individuals with the mission to critically remake and reinterpret the material in the Repository throughout the five-month period of the Biennale.
Jen and her team at Pentagram will work on the project with other members of the OfficeUS team, including Architizer, CLOG, Michael Kubo, Chris Leong and Dominic Leong of Leong Leong, PRAXIS, Jacob Reidel, and Carlos Minguez Carrasco of Storefront for Art and Architecture. The Biennale is on view from June 7 through November 23, 2014.
Visit http://www.officeus.org for additional information and updates.
Platform is a new non-profit organization with the important mission to increase the interest and participation of underrepresented groups in the fields of technology and entrepreneurship, with a particular focus on African-Americans, Latinos and women. African-Americans and Latinos make up nearly 30 percent of the total U.S. population, and women represent more than half, yet these groups remain greatly underrepresented in the thriving innovation economy. Through its website and series of conferences, Platform seeks to establish a “platform” for increased visibility and access to current leaders and role models to help influence and inspire the next generation of innovators, inventors and entrepreneurs.
Pentagram’s Eddie Opara and team have designed the identity and website for the organization, as well as the graphics for the first Platform Summit, recently held at the MIT Media Lab. Platform has been conceived as a movement, not just a conference—think TED—and the identity and website have been designed as flexible elements that will adapt and grow with the organization.
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This weekend is your last chance to enjoy New York City’s public beaches, which close for the season following Labor Day. Restored after the destruction of Hurricane Sandy, the beaches reopened earlier this year with cheerful new signs designed by Pentagram’s Paula Scher. The signs feature photographs of the beaches and capture the charm, romance, and beauty of the city’s favorite summer spots.
Now the signs have been turned into postcards. The limited edition set features six of the beaches that were damaged by Hurricane Sandy in Brooklyn, Queens and Staten Island. Proceeds from the sale of the postcards will be donated to the City Parks Foundation, the citywide parks conservancy. Order yours here.
Partner DJ Stout and designer Stu Taylor in Pentagram’s Austin office have designed a new CD package, posters and a lyric book for Austin-based musician Darden Smith. The multi-talented singer-songwriter’s newest release on Compass Records, Love Calling, features a not-so-loving image of a woman strapped to a large wooden wheel with multiple swords protruding from her back. “Obviously this album features love songs,” says Stout, “but as everyone knows, there’s a very thin line between love and hate.”
Included with the collection of love ballads is a song called “Angel Flight” that Smith wrote in 2009 with his friend Radney Foster. The song, which became a radio and Internet sensation, honors the military pilots who fly the planes that bring fallen soldiers home. That song gave Smith the idea for his successful Songwriting with Soldiers program, established in 2012, where the master songwriter works with veterans suffering from PTSD and other injuries. “The album also features a song about jealous love called ‘I Smell Smoke,’ and ‘Baltimore’ is a dark tale about shattered love and salvation,” says Stout, “so the songs aren’t all lovey-dovey. ‘Angel Flight’ is about the heart-wrenching consequences of war, so the violent image of the angelic-looking woman with the traditional weapons of warfare stuck in her back seemed to me to be an appropriate symbol for this collection of songs.”
For local hero Smith, who’s been writing songs and performing for 40 years, Love Calling opens a new chapter in the artist’s prolific career and circles back to his musical roots. “And that’s where the symbolism of the big wooden wheel on the cover comes into play,” says Stout. “Darden is a hard worker and he’s had his fair share of high points and low, both in music and love.”
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The Flatiron Building is a beloved icon of New York, seen in countless images of the city. But what does the view look like from the building itself? For the 2013 Annual Report of the Flatiron 23rd Street Partnership, the area Business Improvement District, Pentagram’s Michael Bierut and his team sent photographer Luca Vignelli to the top of the Flatiron for an aerial shot of the District from a rare perspective.
Titled “View from 285 Feet,” the height of the Flatiron Building, the annual report unfolds to reveal the intersection of Broadway, Fifth Avenue and 23rd Street looking north toward Midtown, with the green of Madison Square Park to the east. (The District happens to be Pentagram’s own neighborhood, and our tiny “P” banner can be seen in the view up Fifth.)
Playing off the title, the report’s neighborhood statistics have been overlaid on the photograph to create a large infographic of the area. Among the data noted from the past year are the 30,279 square feet of public space maintained by the BID, 103 block faces in the District, 18,078 directions given by public safety officers, 337 CitiBike docking stations, 2,141 @flatironNY Twitter followers, and one water main break (on February 1). The graphics use the identity we designed for the Flatiron 23rd Street Partnership in 2007.
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