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Tag Archives: Typography

New Work: Governors Island

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This is the last weekend of the year to enjoy Governors Island, the jewel of a park in the middle of New York Harbor, just 800 yards off the southern shore of Lower Manhattan. Open to the public all summer, the Island is home to 172 acres of lush landscapes and picturesque paths where visitors can bike, picnic, lounge on hammocks, play sports, view art exhibitions, attend concerts and dance performances, and explore historic buildings, all in view of the skyscrapers of Manhattan. Reachable only by ferry, the Island is a serene, and somewhat surreal, escape from the bustle of the city.

Pentagram’s Michael Bierut and his team have designed signage and environmental graphics for Governors Island that enhance this unique sense of place. Inspired by the Island’s gantries—the giant skeletal superstructures that mark the docks and frame views to and from the site—the designers have created a system of transparent signage that preserves these views, even as it helps guide visitors around the Island.

Bierut and his designers collaborated on the program with West 8, the landscape architects for the Island’s regeneration, and Leslie Koch, president of the Trust for Governors Island.

Join Abbott Miller for Type Nite at MICA

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Pentagram’s Abbott Miller will speak about his new book Design and Content at Type Nite, Monday, September 22, Maryland Institute College of Art (MICA) in Baltimore. Miller be joined by fellow MFA in Graphic Design faculty member Ellen Lupton, type designer Tal Leming, and other special guests. The evening will showcase new typefaces under development, explore type at work on page, on screen, and in the built environment, and celebrate the release of Design and Content and Lupton’s new book, Type on Screen, both published by Princeton Architectural Press.

The live event takes place in Baltimore, but designers, students, and font-lovers around the world can join the discussion via Twitter. Use the hashtag #TypeNite to participate in the Q&A and see your book get signed. If you’re not in Baltimore, pre-order your book at the MICA Bookstore website and receive 20% off. You will have the opportunity to fill out how you would like your books inscribed and the store will mail them to you. Include your Twitter handle and MICA will tweet a photo of the author signing your book.

Type Nite is free and open to the public, Monday, September 22, from 6:30 pm to 8:30 pm at MICA’s Brown Center, 1301 W. Mt. Royal Avenue in Baltimore.

New Work: The Public Theater 2014-2015 Campaign

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The campaign for the 2014-2015 season at the Public uses dynamically skewed typography.

Pentagram’s Paula Scher puts a new slant on her iconic identity for the Public Theater in the campaign for the institution’s 2014-2015 season, launching this month. Designed with Kirstin Huber, Senior Graphic Designer at the Public, promotions for the upcoming slate of productions use skewed typography for a dynamic take on the theater’s signature look. The campaign marks the 20th anniversary of Scher’s continuing collaboration with the Public.

New Work: ‘Circular 18’

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Circular is the members magazine of The Typographic Circle, the non-profit, all-volunteer organisation for anyone with an interest in type and typography. Designed by Pentagram’s Domenic Lippa and Jeremy Kunze, the latest issue of the publication, Circular 18, puts type front and center with a layout that is almost entirely typographic. Circular 18 is the tenth consecutive issue designed by Lippa and his team.

The Typographic Circle prides itself on providing a platform for a number of voices, and is known for its series of diverse monthly lectures by leading industry figures, as well as the London presentation of the annual New York Type Directors Club exhibition. Speakers at Circle events have included Trevor Beattie, Stefan Sagmeister, Ken Garland, Jonathan Barnborook, Anthony Burrill, Rick Poynor and Sir John Hegarty, among others. Lippa has had a long-standing relationship with the organisation, having served on the committee for many years and also as its Chair.

These many different voices come into play in the new Circular. Each edition of Circular is individually designed, giving Lippa and his designers an opportunity to explore different typographic solutions. The previous issue, Circular 17 (from 2011), was completely visual. For the new issue, Lippa wanted to create a design that was predominantly typographic. Titled “Words & Images,” the new issue features a series of interviews with previous guest speakers conducted by Lippa himself, as well as other members of the Circle executive committee, including current chairperson Alan Dye of NB Studio, Louise Sloper and Val Kildea.

New Work: Yale Architecture Lectures and Exhibitions Fall 2014

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The ongoing series of typographic posters designed by Pentagram’s Michael Bierut for the Yale School of Architecture has made use of literally hundreds of different fonts since the series began in 1998. For the poster announcing the school’s fall 2014 lectures and exhibitions, Bierut and designer Jessica Svendsen wanted to try Maelstrom, an unusual new font by Kris Sowersby of Klim Type Foundry. The reversed-stress typeface makes the typically thick strokes of a letter thin, and the thin strokes thick. The font’s architectural quality is brought out in the poster, which stacks the letterforms and their heavy horizontals into a typographic structure. (The designers made some small modifications to the “E” and “F” to slightly improve legibility.) The school’s circular “Y” emblem also appears in Maelstrom.

Project Team: Michael Bierut, partner-in-charge and designer; Jessica Svendsen, designer.

End of ‘Century’


A behind-the-scenes look at the development and installation of Century at the AIGA National Design Center.

This week is your last chance to see Century: 100 Years of Type in Design, the landmark exhibition at the
AIGA National Design Center that celebrates the incredible diversity of typefaces and their integral role in design over the past 100 years. Created by Pentagram’s Abbott Miller and produced and curated by Monotype, the exhibition transforms the AIGA gallery into an immersive environment of typography.

In this video, Miller and Monotype Type Director Dan Rhatigan talk about how Century came together. Miller’s concept for the exhibition design builds on the idea that a single period contains the DNA of a typeface. In the finished exhibition, the walls and floor of the gallery at AIGA have been covered in a pattern of 1,058 different periods, drawing from 630 typefaces.

Century is on view at the AIGA National Design Center in New York through Thursday, July 31.